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Valerie Gard: A couple of other interesting events that has happened this year are the show of the Hleb band and a large TV stream ‘Be with the city’, that included several mixing desks in different rooms all over the building and lots of stage connections for different artists.
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Of course, full redundancy had been done.ĭevices that worked at the front of house: This thing has proven itself as an incredibly flexible device, which is capable of almost any routing and conversion between many protocols.Īt the Stereoleto we used a hybrid star network topology with 2 centers at the FOH and the stage and an optical backbone cable between them with a couple of CAT6a cables for backup.
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To mix the desks outputs, we used the self-made custom device that we call ‘Dante-mixer’, and it’s based on NIO xcel 1102 from Salzbrenner Media, four Dante AVIO 2ch analog input adapters, five Cisco SG300 with SFP optical ports, and all of them are combined in a 6-unit rack with a patch panel, lights, and a UPS unit. These desks fed the d&b audiotechnik amps over two d&b audiotechnik DS10 devices at each side of the stage. Those were: Digico SD12, Yamaha CL5, Waves LV1, Midas M32, Behringer X32. The festival lasted 2 days, and each day several mixing desks were used. And of course, it involved some network-based audio technologies, where Dante played the major role. It had an audience of about 10,000 people and some of the best artists that represent the Russian music scene. The landmark of the year was the festival Stereoleto 2020, which happened in September, and as far as I know, it was the only traditional large-format festival during this time in Russia.
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Valerie Gard: 2020 wasn’t so rich for gigs, we all know why, but we could manage to catch some bright and important events that seem even brighter against the backdrop of the lockdown. What major projects have been implemented in 2020, despite the difficult conditions of the pandemic? A few words about the key equipment used in these projects. Now it’s even possible to avoid ADC/DAC altogether along practically the whole signal path, e.g.: a laptop with Dante Virtual Soundcard, some Dante enabled digital desk, a Dante-AES converter for the amps, and that’s it. It greatly reduces the possibility of hearing analog crackling from ‘somewhere in the chain’. There are no extra connections, no XLRs, DI boxes, preamps. Valerie Gard: It’s faster, much cleaner and of course, the quality of the signal is higher. What benefits do you find in using Networked Audio Solutions? Our leading engineer, Valerie Gard, will talk about some cases. That was the moment when we started implementing networked audio technology.įor the last 10 years, we’ve been actively using Dante in various applications, which sometimes include even our custom solutions that use Dante as the core of the system.
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The company was founded at the beginning of the 2000s as a backline supplier and later expanded its activity to the field of PA systems. We provide sound systems and backline for the shows of all sizes, from small corporate events to large festivals. Tell us a little about your company Zvukohod Rental Company, introduce yourselfĪleksei Mironov: I’m a production manager at Zvukohod Rental Company, based in Saint Petersburg, Russia. In this interview, Audinate brand manager Paul Shemyakin had a conversation with Valerie Gard (system engineer at Zvukohod Rental Company, FOH engineer) and Aleksei Mironov (Production manager at Zvukohod Rental Company) about technology, solutions, and ways to do business in our tough reality during 2020. Audio-over-IP solutions based on Dante protocol can be seen in a variety of places: from small concert venues, theatres to huge events with thousands of people. In a modern world, network technology is one of the key components of a show. Zvukohod Rental Company & Audinate Dante: keeping networked audio (a)live